例句與造句

1. Other works of this period include the " Variations on a Rococo Theme " for cello and orchestra, the Second and Eugene Onegin ".
2. Wilhelm Fitzenhagen " intervened considerably in shaping what he considered'his'piece, " the " Variations on a Rococo Theme ", according to music critic Michael Steinberg.
3. Rysanov performed his own transcription of Tchaikovsky's " Variations on a Rococo Theme ", Op . 33, at the last night of the BBC Proms in 2010.
4. He made his orchestral d閎ut at age 12 with the Oklahoma Symphony Orchestra ( now the Oklahoma City Philharmonic ), playing Tchaikovsky's Variations on a Rococo Theme, Op . 33.
5. In Chicago, Honigberg presented eight performances of Tchaikovsky's " Variations on a Rococo Theme " with the Chicago Symphony Orchestra as a 16-year-old winner of Chicago's Youth Competition.
6. It's difficult to find variations on a rococo theme in a sentence. 用variations on a rococo theme造句挺難的
7. Besides Shostakovich's Cello Concerto No . 1 and Tchaikovsky's Variations on a Rococo Theme, the evening includes " Slava !, " an overture that was composed by Leonard Bernstein in tribute to Rostropovich, and the U . S . premiere of Sofia Gubaidulina's " Canticle of the Sun, " programmed in keeping with Rostropovich's support of new music.
8. Of the concertante works, the " Variations on a Rococo Theme " for cello and orchestra was inspired by Mozart and shows Tchaikovsky's affinity for Concert Fantasia " for piano and orchestra is related in its light tone and unorthodox formal structure to the orchestral suites . ( The second movement, " Contrastes ", had in fact originally been intended as the opening movement of the Third Suite . ) Written as a display piece for the soloist, it hearkens back to a time when audiences concentrated more on the virtuosity of the performer than on the musical content of the piece being played.
9. Such a move would not be unique or unprecedented in Tchaikovsky's work; New Grove " that the composer occasionally wrote in a form of Mozartian pastiche throughout his career . ( The Variations on a Rococo Theme for cello and orchestra, which Wiley suggests by Tchaikovsky's use of the word " Rococo " in the title is his " first nominal gesture toward 18th century music, " is in fact a near-contemporary of the symphony . ) Musicologist Richard Taruskin makes a similar statement by calling the Third Symphony'the first'typical'[ Tchaikovsky ] symphony ( and the first Mozartean one ! ) in the sense that it is the first to be thoroughly dominated by the dance ."